@the_breeder_gallery

#Repost @hallen_kunstfestival ・・・ Art Collection Telekom presents the exhibition ‘Shadows of the Body’ at Hallen 06, with artists Aleksandra Domanović, Flaka Haliti, Klára Hosnedlová, Anna Hulačová, Lito Kattou, Zsófia Keresztes, Georgia Sagri, and Krassimir Terziev. “Bodies cast shadows – at least when they stand in the light. The shadow is a reflection of the body, that part of it which the light does not touch, swallowed, in a sense, by the light itself. It reveals the outline, the silhouette – a tangible form that is at once poetic and visually charged. In the shadow, stories and notions of the body coalesce, stretching far beyond the merely physical. ‘Shadows of the Body’ brings together such representations of the human and humanoid body, as well as the imaginings of the corporeal, in works by eight artists from the Art Collection Telekom.” Images: 1 Zsófia Keresztes @zsofiakeresztes , Fountain, 2017, 230 x 110 x 110 cm, Photo Simon Veres, Art Collection Telekom 2 Klára Hosnedlová @klarahosnedlova , Untitled (from the Series ‘Ladies’ Tears’), 2019, Art Collection Telekom 3 Flaka Haliti @flakahaliti_ , It’s Urgency Got Lost in Reverse (While Being in Constant Delay), 2017, Detail, Photo Majlinda Hoxha, Art Collection Telekom 4 Georgia Sagri @georgiasagri , Dynamis / Soma in Orgasm; as Sex, 2017, courtesy The Breeder, Art Collection Telekom 5 Anna Hulačová @anna.hulacova , Agro-Kosmo, 2023, Photo Sebastiano Luciano, Art Collection Telekom, Detail 6 Lito Kattou @litokattou , Anniversaries II, 2021, 185 x 132 x 20 cm, Art Collection Telekom 7 Krassimir Terziev @krassimir_terziev , Let‘s Dance. Clothing for Collective Life, 1996, Art Collection Telekom 8 Aleksandra Domanović, Votive Partridge, 2016, 175,5 x 63 x 38 cm, Art Collection Telekom, (back) #artcollectiontelekom #hallen06 #hallenkunstfestival #wilhelmhallen #berlinartweek

2025-08-27

#Repost @projets.media ・・・ ➘ END-OF-SUMMER REVIEW This summer, PROJETS highlighted exhibitions shaping the season across Europe and beyond. For this closing chapter, conceived with @docent_art , we look back at ten encounters that defined summer 2025… …The Breeder — Public Secrets, Athens Curated by Milovan Farronato, this group show explores concealment and revelation as catalysts for new encounters…

2025-08-26

#Repost @kunstvereinludwigshafen ・・・ We are exhibiting multiple pieces by @panosprofitis as part of GENIUS LOCI. NOTES ON PLACES - his work is currently on view in Bad Kreuznach and Mainz! The exhibition chapter in Bad Kreuznach is dedicated to Lee’s publication Lessons of History (1913), in which she questions the degradation of historical sites and objects to passive witnesses of the past, which can experience changes and appropriation in their meaning over the course of time. The sculpture by Panos Profitis (*1988, lives and works in Athens) on the upper floor of the MUSEUM SCHLOSSPARK highlights the historical and mythological dimension of aesthetic issues by referring to Hellenistic Greek culture and modern industrial materials. Profitis’ cast aluminum work Herald shows a fragmentary foot with wings - a reference to the figure of the Greek god Hermes. The juxtaposition of Profitis’ work and the sculptures of the Cauer family emphasizes the omnipresence of classical references to antiquity. However, the use of modern materials, which reveal traces of the creative process, distances itself more strongly from a familiar canon and thus creates a dialog between the past and the present. ? @marco_vedana

2025-08-25

Maria Hassabi Dancer, 2021 paint and gold leaf on wood, brass frame 246 x 340 x 2 cm @mariahassabi @the_breeder_gallery @friezeofficial Seoul COEX September 3 - 6, 2025 #FriezeSeoul #FriezeSeoul2025 #KoreaArtWeek

2025-08-07

Luke Edward Hall, Quoit Keeper, 2025, watercolor on paper, 59 x 42 cm. @lukeedwardhall @the_breeder_gallery @friezeofficial Seoul COEX September 3 - 6, 2025 #FriezeSeoul #FriezeSeoul2025 #KoreaArtWeek

2025-08-01

I Paulina Olowska, Sketch for the mural “Maja Berezowska”, 2025, watercolor on paper, 18 x 19 cm ? @thanassisgatos II Paulina Olowska, Maja Berezowska, 2025, mural ? @vassoparaschi PUBLIC SECRETS curated by @milovanfarronato June 21 - August 30, 2025 @the_breeder_gallery

2025-07-18

Rooted in Cyber Feminism and informed by Cyborg theory, kink culture, fashion, and artificial intelligence, @eleni__christodoulou.art creates works that are both visually striking and conceptually layered. Her works often incorporate faux-perspective and linear distortion, borrowing from the visual logic of video games to destabilize the viewer’s sense of space and subjectivity. @eleni__christodoulou.art creates fabric-based sculptures using soft, insulating materials like felt and polyester filling. These tactile forms speak to themes of bodily vulnerability, protection, and exposure—engaging with non-normative desire and the shifting boundaries of intimacy. I. Eleni Christodoulou, Ursula in Fur #3 (After Breakfast in fur by Meret Oppenheim, 1936), 2024-2025, 3D printed polymer plastic, hand embroidered clear beads, synthetic leather, synthetic fur, 55 x 80 x 70 cm II. Eleni Christodoulou, Ursula in Fur #2 (After Breakfast in Fur by Meret Oppenheim, 1936), 2024-2025, 3D printed polymer plastic, synthetic leather, synthetic fur, 80 x 100 x 74 cm III. Eleni Christodoulou, Ursula in Fur #1 (after Breakfast in Fur by Meret Oppenheim, 1936), 2024-2025, 3D printed polymer plastic, synthetic leather, synthetic fur, 76 x 65 x 50 cm PUBLIC SECRETS Curated by @milovanfarronato June 21 –August 30, 2025 @the_breeder_gallery ? @thanassisgatos

2025-07-09

PUBLIC SECRETS

2025-07-08

#AlexandraChristou (1950–2009) was a self-taught artist whose distinctive visual language remained largely under the radar during her lifetime. Working across painting, #AlexandraChristou developed a deeply personal and expressive style. Her evocative portraits draw upon the textures of everyday life, weaving together myth, ritual, and personal narrative. #AlexandraChristou ’s protagonists—men in cafés, beggars, sex workers—emerge as everyday heroes in surreal, dreamlike scenes that blur the line between fact and fiction. With self-referential gestures and symbolic imagery, her work speaks to themes of marginality, resilience, and inner life. Public Secrets, curated by @milovanfarronato @the_breeder_gallery brings together key works by #AlexandraChristou showcasing her vivid and deeply intimate portraits, painted primarily in oil on canvas during the early 1990s through the late 1990s. Her compositions capture domestic intimacy and everyday social settings with striking emotional depth. Each canvas stands as a visual diary—emotional, narrative-driven, and charged with private meaning—while also evoking broader social and cultural textures from the late 20th-century Greek landscape. Despite limited exposure during her career, #AlexandraChristou has left behind a quietly powerful legacy that continues to resonate.

2025-07-02